Unknown
Territory

Unknown
Territory

Unknown
Territory

Sakatoya Collective Space

Sakatoya Collective Space

Sakatoya
Collective Space

22.08 - 24.08.2025
About the Performance
About the Performance
About the Performance

Walking slowly. There was silence and for a moment there was a sound from nowhere. She looked around. Trying to fill her courage slowly then a little confidently. Looking far ahead. Jumping haphazardly, moving irregularly, reaching for something and then falling silent.

Walking slowly. There was silence and for a moment there was a sound from nowhere. She looked around. Trying to fill her courage slowly then a little confidently. Looking far ahead. Jumping haphazardly, moving irregularly, reaching for something and then falling silent.

Walking slowly. There was silence and for a moment there was a sound from nowhere. She looked around. Trying to fill her courage slowly then a little confidently. Looking far ahead. Jumping haphazardly, moving irregularly, reaching for something and then falling silent.

This performance is both an exploration and a revisit of Flying Balloons Puppet's Pongo Abelli, which was first performed in Helutrans in April 2019 as well as during the 2019 George Town Festival. Pongo then transformed into a video performance during the pandemic titled Unknown Territory. In 2025, he came back within a space where he imagined and experienced, not only as the main subject but part of a complex living space. Pongo becomes one last artifact, with the dystopian space displaying a world with disorder: the space, the subject, whatever is in it.
This performance is both an exploration and a revisit of Flying Balloons Puppet's Pongo Abelli, which was first performed in Helutrans in April 2019 as well as during the 2019 George Town Festival. Pongo then transformed into a video performance during the pandemic titled Unknown Territory. In 2025, he came back within a space where he imagined and experienced, not only as the main subject but part of a complex living space. Pongo becomes one last artifact, with the dystopian space displaying a world with disorder: the space, the subject, whatever is in it.
This performance is both an exploration and a revisit of Flying Balloons Puppet's Pongo Abelli, which was first performed in Helutrans in April 2019 as well as during the 2019 George Town Festival. Pongo then transformed into a video performance during the pandemic titled Unknown Territory. In 2025, he came back within a space where he imagined and experienced, not only as the main subject but part of a complex living space. Pongo becomes one last artifact, with the dystopian space displaying a world with disorder: the space, the subject, whatever is in it.
Team
Team
Team

The People
Behind

The People Behind

The People Behind

Production

Co Produce with

Production Manager

Production Manager

Nabila Rahma
Nabila Rahma
Nabila Rahma

Production Team

Production Team

Astri Winati
Astri Winati
Astri Winati
Meyda Bestari
Meyda Bestari
Meyda Bestari

Artistic Team

Artistic Team

Rangga Dwi A
Rangga Dwi A
Rangga Dwi A
Meyda Bestari
Meyda Bestari
Meyda Bestari
Jefri Mugi
Jefri Mugi
Jefri Mugi
Nabila Rahma
Nabila Rahma
Nabila Rahma
Abdul J Nugroho
Abdul J Nugroho
Abdul J Nugroho

Director

Director

Rangga Dwi A
Rangga Dwi A
Rangga Dwi A
Jefri Mugi
Jefri Mugi
Jefri Mugi

Sound Artist

Sound Artist

Lintang Radittya
Lintang Radittya
Lintang Radittya

Lighting

Lighting

Muhammad Abdurahman Rais
Muhammad Abdurahman Rais
Muhammad Abdurahman Rais

Performers

Performers

Rangga Dwi A
Rangga Dwi A
Rangga Dwi A
Meyda Bestari
Meyda Bestari
Meyda Bestari
Jefri Mugi
Jefri Mugi
Jefri Mugi

Stage Manager

Stage Manager

Miftahul Magfirah
Miftahul Magfirah
Miftahul Magfirah

Program Team

Program Team

Astri Winati
Astri Winati
Astri Winati
Amalia Fitriani
Amalia Fitriani
Amalia Fitriani

Documentation

Documentation

Bentang Alif
Bentang Alif
Bentang Alif
Panji
Panji
Panji
Isna Nugraha
Isna Nugraha
Isna Nugraha
Process and Development
Process and Development
Process and Development

Shaping the Story,
Step by Step

Shaping the Story,
Step by Step

Shaping the Story,
Step by Step

2019
2019
2019

Pongo Abelii is the journey that we took in 2019, to search and develop our own artistic practice as puppet and performance group. Performed in Helutrans, we created an Orangutan puppet performed by 3 puppeteers, incorporating lighting and dynamic sound design. This performance was also presented in George Town Festival 2019, in Penang, Malaysia.

2020
2020
2020

During the pandemic COVID-19, “Pongo Abelii” transformed into “PONGO” a table top puppet video performance that we shoot in our living room. While Pongo Abelii talked about what Orangutan experiences are, PONGO completed the story with their life and his role in nature as well as how it’s surrounding shifting

2025
2025
2025

“Unknown Territory” is a space that we explored on how a puppet and the performance projected reality and presented circumstances where we are at. How one character transcend and connected to a bigger much complex relations

Director’s Note
Director’s Note
Director’s Note

Unknown Territory is a mirror, reflecting not only Pongo, but us. It began with a question: “Is there a future for us?” Our journey with Pongo started in 2019 with “Pongo Abelii” and has since moved through “Pongo”, “Unknown Territory” (video), and now returns back to the stage. We once carried hope that Pongo’s home, could heal. And yet, the world chose otherwise. Pongo has lost his space: the space to live, to grow, to belong. And it is not only him. Wars, stolen lands; we too are wandering this unknown territory. In 2019, I placed Pongo in front of the mirror and saw only him. Today, I place him there again, and the face that looks back is mine

Unknown Territory is a mirror, reflecting not only Pongo, but us. It began with a question: “Is there a future for us?” Our journey with Pongo started in 2019 with “Pongo Abelii” and has since moved through “Pongo”, “Unknown Territory” (video), and now returns back to the stage. We once carried hope that Pongo’s home, could heal. And yet, the world chose otherwise. Pongo has lost his space: the space to live, to grow, to belong. And it is not only him. Wars, stolen lands; we too are wandering this unknown territory. In 2019, I placed Pongo in front of the mirror and saw only him. Today, I place him there again, and the face that looks back is mine

Unknown Territory is a mirror, reflecting not only Pongo, but us. It began with a question: “Is there a future for us?” Our journey with Pongo started in 2019 with “Pongo Abelii” and has since moved through “Pongo”, “Unknown Territory” (video), and now returns back to the stage. We once carried hope that Pongo’s home, could heal. And yet, the world chose otherwise. Pongo has lost his space: the space to live, to grow, to belong. And it is not only him. Wars, stolen lands; we too are wandering this unknown territory. In 2019, I placed Pongo in front of the mirror and saw only him. Today, I place him there again, and the face that looks back is mine

This performance brings light and sound as breathing bodies, a cold beam carving Pongo’s fragility, dimness revealing delicate details, while darkness holds the questions. We want the audience to be caught in a dialogue between light and shadow, sound and silence. A liminal experience where wounds, memories, and hopes intertwine.

This performance brings light and sound as breathing bodies, a cold beam carving Pongo’s fragility, dimness revealing delicate details, while darkness holds the questions. We want the audience to be caught in a dialogue between light and shadow, sound and silence. A liminal experience where wounds, memories, and hopes intertwine.

Rangga Dwi A

Rangga Dwi A

Jefri Mugi

Jefri Mugi

Preview of the Performance

Preview of the Performance

Co produce With

Supported By

Media Partner

What They Say

Stories Shared,
Moments Remembered

The show is really powerful, beautiful with important subjects

Gabriele Raygade

FR, Contorsionist

1

/

3

I really like the show, it was amazing. The show full of minimalisms and the puppet is well done

Garion Raygade

FR, Theatre Worker

2

/

3

I love the show. It is amazingly crafty. Very organic material, heartbreaking, very deep soul searching concept. Thank you for let us be part of it and able to view the talent, the vision, and actor and the puppetry. It is a learning experience for me as well. Well done

Thomas Dang Vu

Painter and Director of Fine Arts SCAD Hongkong

3

/

3

What They Say

Stories Shared,
Moments Remembered

The show is really powerful, beautiful with important subjects

Gabriele Raygade

FR, Contorsionist

1

/

3

I really like the show, it was amazing. The show full of minimalisms and the puppet is well done

Garion Raygade

FR, Theatre Worker

2

/

3

I love the show. It is amazingly crafty. Very organic material, heartbreaking, very deep soul searching concept. Thank you for let us be part of it and able to view the talent, the vision, and actor and the puppetry. It is a learning experience for me as well. Well done

Thomas Dang Vu

Painter and Director of Fine Arts SCAD Hongkong

3

/

3

What They Say

Stories Shared,
Moments Remembered

The show is really powerful, beautiful with important subjects

Gabriele Raygade

FR, Contorsionist

1

/

3

I really like the show, it was amazing. The show full of minimalisms and the puppet is well done

Garion Raygade

FR, Theatre Worker

2

/

3

I love the show. It is amazingly crafty. Very organic material, heartbreaking, very deep soul searching concept. Thank you for let us be part of it and able to view the talent, the vision, and actor and the puppetry. It is a learning experience for me as well. Well done

Thomas Dang Vu

Painter and Director of Fine Arts SCAD Hongkong

3

/

3

What They Say

Stories Shared,
Moments Remembered

The show is really powerful, beautiful with important subjects

Gabriele Raygade

FR, Contorsionist

1

/

3

I really like the show, it was amazing. The show full of minimalisms and the puppet is well done

Garion Raygade

FR, Theatre Worker

2

/

3

I love the show. It is amazingly crafty. Very organic material, heartbreaking, very deep soul searching concept. Thank you for let us be part of it and able to view the talent, the vision, and actor and the puppetry. It is a learning experience for me as well. Well done

Thomas Dang Vu

Painter and Director of Fine Arts SCAD Hongkong

3

/

3

Preview of the Performance

Preview of the Performance

Flying Balloons is a dynamic performance group that seamlessly blends the art of puppetry with the exploration of performative performance.

Flying Balloons is a dynamic performance group that seamlessly blends the art of puppetry with the exploration of performative performance.

Flying Balloons is a dynamic performance group that seamlessly blends the art of puppetry with the exploration of performative performance.

2015
2015
2015

Established in Bantul, Yogyakarta by Rangga Dwi Apriadinnur in January 2015, Flying Balloons has evolved to produce over 20 original and collaborative works. Our team, composed of Rangga, Meyda, Anwar, Jefri, and Yunita, collaborates with talented sound designer Youga, Lutvan Hawari, and lighting designer Nano to bring our creations to life.

Established in Bantul, Yogyakarta by Rangga Dwi Apriadinnur in January 2015, Flying Balloons has evolved to produce over 20 original and collaborative works. Our team, composed of Rangga, Meyda, Anwar, Jefri, and Yunita, collaborates with talented sound designer Youga, Lutvan Hawari, and lighting designer Nano to bring our creations to life.

2018
2018
2018

In 2018, Flying Balloons Puppet collaborated with Gwen Knoxx, Australian puppet artist for a performance entitled “Sori in the Land of Lembuna '

In 2018, Flying Balloons Puppet collaborated with Gwen Knoxx, Australian puppet artist for a performance entitled “Sori in the Land of Lembuna '

2019
2019
2019

In 2019, the company performed a new piece, “Pongo Abelii '' at Georgetown Festival. During the pandemic, they explored new mediums shaping their performance into video performance streamed online.

In 2019, the company performed a new piece, “Pongo Abelii '' at Georgetown Festival. During the pandemic, they explored new mediums shaping their performance into video performance streamed online.

2021
2021
2021

In 2021, they produced (now) “Jalinan Kusam di Lemari Sosi '', an experiment on actor and puppet relations. Additionally, we are committed to facilitating workshops on theater objects, puppetry, and acting, as well as fostering collaborations with diverse multidisciplinary art forms and backgrounds.

In 2021, they produced (now) “Jalinan Kusam di Lemari Sosi '', an experiment on actor and puppet relations. Additionally, we are committed to facilitating workshops on theater objects, puppetry, and acting, as well as fostering collaborations with diverse multidisciplinary art forms and backgrounds.

Flying Balloons

Blends of puppetry and exploration of performative performance

Perum Pandan Asri C7, Sribitan, Bangunjiwo, Kasihan, Bantul, Special Region of Yogyakarta, Indonesia

+62 878 39524733

2025. Flying Ballon Puppets. All right reserved

Privacy and Cookies Policy

Flying Balloons

Blends of puppetry and exploration of performative performance

Perum Pandan Asri C7, Sribitan, Bangunjiwo, Kasihan, Bantul, Special Region of Yogyakarta, Indonesia

+62 878 39524733

2025. Flying Ballon Puppets. All right reserved

Privacy and Cookies Policy

Flying Balloons

Blends of puppetry and exploration of performative performance

Perum Pandan Asri C7, Sribitan, Bangunjiwo, Kasihan, Bantul, Special Region of Yogyakarta, Indonesia

+62 878 39524733

2025. Flying Ballon Puppets. All right reserved

Privacy and Cookies Policy